Mahalaya brings a lot of memories, mainly of childhood days. The earliest memory of Mahalaya remains, like any other Bengali, to be the renditions of Mahisasuramardini by Birendrakrishna Bhadra on Akashvani! This used to set the tone for Durga Puja. I was never an early riser. Getting up at 4 o'clock in the morning, despite my parents' insistence, was a tough task. Being half asleep and listening to the radio, the sound of chanting coming from almost all corners of the neighbourhood, was a dreamy experience at that time. However, if I hated Akashvani authority for airing the programme so early in the morning, I loved Doordarshan for telecasting the programme an hour later. DD used to care about those of us who would not be able to wake up early and missed Birendrakrishna Bhadra. The visuals used to compensate the voice for us.
I must admit, till date, I have not found anything as pure and holy as Birendrakrishna's chanting. But the main attraction of the television version of Mahisasuramardini was the emergence of Durga, how the manishis armed Devi and finally the fight between Durga and the Asura. One would lag behind among the friends if he didn't watch the television programme on Mahalaya. After all we had to discuss and share ‘expert comment’ on the details of the fight between Durga and Asura. Even if one failed to claim, "I got up at 4 am and listened to the radio programme", he couldn't dare say, "I missed the TV's Mahalaya.
Another memory of Mahalaya is of course of my father going to Ganga for tarpan. It took me years to understand the significance of the ritual. I never had the opportunity to go with him to the river for tarpan. I was not supposed to go, as the ritual was restricted to those who lost their parents. I was told tarpan means offering water to the forefathers. But I could never comprehend why we offer water on the last day of pitripaksha and on the beginning of matripaksha!
Mahalaya means the puja is here. It is the day of chakhsmudan, drawing the eyes on the idol. We used to gather at the pandal waiting for the artist to do the most difficult job. For one month prior to the Puja, our afternoon adda used to be at the neighbourhood pandal where we used to get mesmerized seeing how a structure of bamboo, made of hay and clay would gradually come alive in the form of the Maa Durga and her children. My preference has always been of an angry Durga who is killing the demon!
Now the Mahalaya has lost the exclusivity of starting the day with Mahisasuramardini. In this age of youtube and CDs, Birendrakrishna Bhadra is no longer a once-in-a-year ritual; his voice is available throughout the year. Most importantly in Didi's regime, listening to his chanting is a must at every traffic signal in the city of Kolkata!
The funniest memory of Mahalaya draws me back to my journalism school. In the hostel, one of the Bengali friends brought a cassette of Mahisasurmardini. On the D-day that year our hostel mates, mostly non-Bengalis, gathered at a room early in the morning when the light had not properly come out. The room was full of the scent of incense sticks and the cassette was played. The sound box was on full volume. Though I was half asleep, I felt proud listening to Mahisasurmardini at the appropriate time even after staying outside Bengal and make it listen to our non-Bengali friends at the journalism school hostel. We all departed with a holy feeling. But at night during dinner, the enthusiastic friend who brought the cassette from Kolkata declared, "Friends, I am sorry. Today was not Mahalaya. It's tomorrow. I just called up home and found it. I goofed up with the date!" We all started laughing but one non-Bengali friend got really angry! He shouted, "You stupid fellow, you know I refused to eat non-veg throughout the day thinking this to be a holy day and stayed away from meat and fish! I will have to do without non-veg food again tomorrow only for you!"
I was not so serious about Mahalaya though!







